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Experimental excellence with bugs
The oscillators inside the box sound “cheap” and are prone to overload, resulting in terrible digital clipping, however, if they are tamed carefully, they can produce excellent results in a mix. On my pedalboard, it is accompanied by a separate compressor, chorus, and delay. It can deliver original, never-heard-before sounds, and that’s the whole point of experimental music. Even the harshness of the sound waves is useful as part of this instrument’s character.
The polyphonic modes come with a tiny, unwanted tremolo that can’t be turned off. Why? You can create presets — thousands of them — though many sound similar, or borrow from thousands more online for inspiration.
However, the Neural Control app is a half-baked, over-complicated mess with a poor layout. It doesn’t do what it claims, and the interface doesn’t even match what’s shown in the manual. Use your ears if you want to get anywhere. The ridiculous preset micro-switch on the unit is a joke — a second footswitch would have made far more sense.
The whole thing feels like a kickstarter prototype. Source Audio, please finish the job.
The polyphonic modes come with a tiny, unwanted tremolo that can’t be turned off. Why? You can create presets — thousands of them — though many sound similar, or borrow from thousands more online for inspiration.
However, the Neural Control app is a half-baked, over-complicated mess with a poor layout. It doesn’t do what it claims, and the interface doesn’t even match what’s shown in the manual. Use your ears if you want to get anywhere. The ridiculous preset micro-switch on the unit is a joke — a second footswitch would have made far more sense.
The whole thing feels like a kickstarter prototype. Source Audio, please finish the job.
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